Commissions for writers updated

We have restructured the way commissions are stored in the database and in doing so have had to recalculate some writers’ commissions dating back to October 2007. The total you see at the top of your page is the revised amount.

A couple reminders about commissions on Music Nerds — until further notice, you will receive 100% of commissions that come from people clicking on your album, song, article or list pages. In addition to that, Google AdSense ads sprinkled around the site are totalled each month, and each writer who had at least one thing published during (or before) that month gets a percentage of the AdSense total. (The more things published, the higher a percentage.)

In addition, album and song pages that have no review yet will be assigned a writer’s commission id at random upon each page load, so if someone clicks such a page that happens to have your id embedded in it, you get commissions as if it were your page.

Any questions or comments, email admin (at) music-nerds (dot) com.

Formatting buttons added to Comment input box

Now there are automatic formatting buttons for comments boxes on the site, so you can easily select whatever text you want and make it bold, italic, underlined, or quoted.

We are also working on making comments previewable and editable (for a certain time after posting); this should be done in the next few hours. (Just ask Supertramp.)

iTunes MP3s and Music Nerds

We’ve added more prominent (but discreet, we hope) links to iTunes Music Store MP3s on relevant album and song pages around the site. Obviously lots of people tend to prefer torrent sites and similar things to download new music for free, which we don’t condone but facts is facts.

Music Nerds is all about finding new music and trying new things though, and iTunes can actually be simpler and easier to get an MP3 you are curious to hear, and for $.99 each you can try a few here and there and not even miss the money.

So anyway, if it’s available in your area and something piques your curiousity, the links are there. Remember also that writers on the site get paid through such links, so it’s an especially apposite way to test out new sounds if it’s on a review page you like.

Honesty and music nerdiness compels us to add that even if you do use torrents and stuff at the complete exclusion of legal MP3s, we’re still glad you’re finding new music and we hope you’ll post a comment about the things you find and the ones you already know! There are comment sections on every song and album page. It’s all about the music, man…

NEW FEATURE: Sending Private Messages to other users

If you go to any registered user’s member page, you will see a link near the top to send that user a PM. These private messages are not public, and are only visible to the person you sent it to.

If you receive a PM, you will see a note about it at the top of any page (as long as you are logged in). You can read new PMs on your own member page, mark them as ‘read’, reply to the sender, and view old PMs.

If you have any issues with the PM system let us know at admin (at) music-nerds (.) com. Thanks.

NEW FEATURE: Add any artist/album to our database yourself

e know lots of people would like to write up an album review but can’t because we don’t have it in our database. It was always our intention to devote a certain percentage of time to adding albums but it turns out that other aspects of the site maintenance keep us busier than expected.

The new add album buttonSo finally, any user can now add albums to our database. It’s a pretty simple process:

1. Select the artist or type in a new artist name.
2. Type a list of albums to add along with their year of release. (NOTE you can do this automatically by copy and pasting a link to any discography URL instead; this is much easier if adding several albums by a single artist).
3. For each album, we automatically search for a cover image and a song list; you check these over and if ok, click OK.

That’s it. Basically, you tell us the artist and albums list, and we try to do as much of the rest of the work as possible. Albums added like this won’t be immediately visible, but an admin will look over it soon and if it’s all in order, add them to the listings. They can then be claimed, written up, picked apart, commented on, etc. Every step is explained better on the actual page where you add an album.

Thanks to ant who helped us test this tool out. He claims there was no major problem so we’re hoping that is true, and that his experience wasn’t flawless as a mere result of his technical genius. Either way send him a private message and thank him.

Any problems, questions, or suggestions go to the usual place, admin (at) music-nerds (dot) com.

Try the add-an-album link here.

What happened to Song Of The Day?

You may have noticed that you aren’t receiving Song Of The Day emails anymore, and that the SOTD box is missing from the site’s pages.

We’ve been reorganizing the site, planning to add some more features and alter the way it works so that more people can write more easily about the music they like. Song Of The Day was removed as part of that since it was of limited use and interest; we may bring back something similar eventually.

Any comments, please send us some feedback about it! Thanks. Now we’re off to listen to the Pixies, see ya.

About Music Nerds “Nerdlets”

A Nerdlet is a short, one-sentence blurb about a song. You can add one to any song on the Music Nerds site; just go to the album page and each song has an input box underneath it. (You have to be signed in to see it.)

You can put whatever you want in the space, but you only have 100 characters (the “[song title] is” part doesn’t count, don’t worry). You can try to describe the song as you hear it, write something impressionistic, or whatever.

Top Ten Songs About Trains

The train. One of the key components of pre-rock folk, country and blues music managed to carry over into the rock era as an inspiration and at turns cruel and sympathetic character.

The distance, and hence escape, offered by trains has piqued the creativity of songwriters ever since the first steam-powered beasts began rumbling across the American landscape.

There is also something crucial in the inevitability of the train’s journey — the locomotive snakes its way across mountains, through canyons, shaking off the snow and slicing through the rain. Masculine power meets the sleek feminine beauty of the cars — like the heavy guitar attack of rock and the playful, nimble melodies of the best pop music.

The car may be rock and roll’s preferred method of transport — it is, after all, the most efficient way to get your date to the movies, and then there’s that big handy back seat for after — but the train is rock music’s spiritual chariot.

1. “It Takes A Lot To Laugh, It Takes A Train To Cry” by Bob Dylan

In his foggy 1965 persona, Bob Dylan remembers the tradition of the rail through a spidery, post-LSD gaze.

Train imagery floats through this song, pulling us into the world of the narrator who leans on the window sill of his train car, watching the scenery pass and wondering if he will die on the next hill. A train follows a certain, pre-determined track… but that doesn’t mean they can’t go astray or get lost altogether, especially from the point of view of a fixed observer.

Great train-as-psychological-metaphor song.

2. “Nightrain” by Guns N’ Roses

This train is loaded to the gills, careening wildly out of control, and its riders are loving every minute of it.

Partially a tribute to cheap wine, and partially a tribute to any other substance that gets you out of your head, Guns ‘n’ Roses play and Axl sings as if their lives depend on it (as they do on all of Appetite For Destruction).

Loaded like a freight train
Flyin’ like an aeroplane
Feelin’ like a space brain
One. More. Time. Tonight!

The band’s life in L.A. around this time was as manic, unfollowable and insane as it could possibly have been, and this song is about the inebriation that had become a 24-hour reality for them. Fierce, unrelenting and genuinely scary. And, oddly, appealing…

3. “Little Black Train” by Woodie Guthrie

Woody’s version of this old folk song features his wavering baritone wrapping itself around a remarkable melody and a universal message (train as spiritual metaphor): death (the ‘little black train’) is coming for each of us, and you can not ‘beat the final ride’. Woody accompanies himself with a lightly picked acoustic guitar.

This song proves that the simpler the instrumentation and structure of a song, the better it can invoke an actual, simple emotion. Death will, of course, claim us all; remembering that helps one enjoy life to its fullest. That dynamic, the same one that makes life so much fun, is the same one that keeps this from being a sorrowful lament. It just is, that little black train. You know it and I know it, but let’s not forget it, the song says.

4. “Train In Vain” by The Clash

A spectacular song that was almost left off of London Calling but turned out to be a surprise hit.

An unexpected bouncy beat and neat three-note descending melody, repeated over and over, provide a funky (well, almost) foundation for some extremely loose, emotional vocals.

“Stand by me” the singer pleads, as the band jigs along behind him. This is one that just seemed to gel effortlessly for the band.

5. “Train Round The Bend” by The Velvet Underground

Lou Reed revels in the cacophony of this song, as it represents the diversity, noise and chaos of his beloved New York City.

The lyrics deal with a city boy who has spent some time in the country, “trying to be a farmer” without luck. He longs to be back in the city, and can’t stop fetishizing Gotham.

“Train Round The Bend” is equal parts humorous anecdote, impenetrable fable, and junkie babbling. “Nothing that I planted ever seemed to GROW” he recalls, frustrated at the whole exercise. The lesson? Stick with what you know!

6. “Crazy Train” by Ozzy Osbourne

One of the most famous ‘train’ songs in rock, as well as arguably Ozzy’s biggest 80s hit. This song is train-as-metaphor-for-insanity — not just riding this train but watching it gleefully (if helplessly) as it goes “off the rails”.

The album cut features Randy Rhodes on guitar, and it is a mass of creaking, heaving wallops of fleet-fingered electricity, all pinned on an excellent main riff. Ozzy’s inimitable voice reports on his state of mind at the time: he really was going crazy, it seemed; his lifestyle certainly was. (Ask Mötley Crüe for more information about their infamous tour with The Prince Of Fucking Darkness around this time.)

7. “Mrs. Train” by They Might Be Giants

Appearing only on an EP, this song is clever because its tempo slowly (very slowly) accelerates as the song progresses.

The change is linear, and the first time you hear it you may not realize it at first. But by the end, as the band struggles to keep up and the singer mashes his words together, you’ll be having as much fun as they are.

The lyrics are typical TMBG weirdness:

I don’t want to be the first in line to see Mrs. Train …
I’m not in any rush to head the line
And so the line has a missing head …
I don’t want to be the first in line to see the missing head

Only tangentially related to actual trains, this song is what happens when you try to write a pop song about trains without looking back to rock history to do so. Absolutely free, fun, and unique. Be annoyed by its catchiness, if you want, but try to have the same heart rate by the end that you did at the beginning. Especially if you’re singing along!

8. “Downbound Train” by Bruce Springsteen

Bruce sounds here like he is trying to shake off something very heavy, something oppressive that he just can’t wriggle away from. As his life falls apart and his woman leaves him (with the fist-in-the-gut bluntness of her ‘Dear John’ explanation: “We had it once / We ain’t got it no more”) he likens his situation to that of a downbound train.

The difficulties and challenges of ‘regular’ (i.e., non-rock star) people has always been Bruce Springsteen’s bread and butter and raison d’être. Here he borrows the title of a Chuck Berry song to tell a harrowingly simple and direct tale of a man in crisis. This song is, again, train as dark inevitability.

9. “Subway To Venus” by Red Hot Chili Peppers

A subway counts as a train, right?

The Chili Peppers are as furious and funky as they ever were on this song from the first album they made after guitarist Hillel Slovak died of a heroin overdose and forever altered the chemistry of the band.

There is no introspection here, and no time or room to take a rest: the band is too fast and they are jumping around too much, so watch out! Listening to this may confuse your body — do you play air guitar while thrashing your head, or do you pogo around and make Anthony Keidis-style hand gestures with crazed, wide eyes?

How fitting that the only song on this list that rides the train to outer space should be… an underground subway. It’s all about fun on the “Subway To Venus”.

10. “Slow Train” by Bob Dylan

Having ridden an unbelievable wave of activity and notoriety in the 60s, then somehow matched it in the 70s (though the industry was bigger and the drugs were harder by then), Dylan burned himself out by 1978 and found himself seeking solace in Jesus.

Much has been written about this controversial period of his life, but from it came an undeniably great album. Its title song is a gentle warning; its insistency is like the click click click of a moving rain itself: Jesus is coming back, might as well get your things in order. Whoever you are.

This song has a dark air about it, reflecting not only the self-assurance of the lyrics and message but, inadvertently, the heavy atmosphere of psychic exhaustion that generally flowed from the album’s other tracks. Such was Bob’s state of mind after the excesses and length of the Rolling Thunder Revue.

Pristine production and impassioned performance add up to one of Bob’s best albums and one of his most envelopingly dark yet comforting songs.